poetry is dead and/or irrelevant and/or boring, there are plenty of poems that have sunk deep into o

poetry is dead and/or irrelevant and/or boring, there are plenty of poems that have sunk deep into our collective consciousness as cultural icons. (What makes a poem iconic? For our purposes here, it’s primarily a matter of cultural ubiquity, though unimpeachable excellence helps any case.) So for those of you who were not present for our epic office argument, I have listed some of them here. NB that I limited myself to one poem per poet—which means that the impetus for this list actually gets bumped for the widely quoted (and misunderstood) “The Road Not Taken,” but so it goes. I also excluded book-length poems, because they’re really a different form. Finally, despite the headline, I’m sure there are many, many iconic poems out there that I’ve missed—so feel free to extend this list in the comments. But for now, happy reading (and re-reading): William Carlos Williams, “The Red Wheelbarrow” The most anthologized poem of the last 25 years for a reason. See also: “This is Just to Say,” which, among other things, has spawned a host of memes and parodies. T. S. Eliot, “The Waste Land” Without a doubt one of the most important poems of the 20th century. “It has never lost its glamour,” Paul Muldoon observed. “It has never failed to be equal to both the fracture of its own era and what, alas, turned out to be the even greater fracture of the ongoing 20th century and now, it seems, the 21st century.” See also: “The Love Song of J. Alfred Prufrock.” Robert Frost, “The Road Not Taken” Otherwise known as “the most misread poem in America.” See also: “Stopping by Woods on a Snowy Evening.” And “Birches.” All begin in delight and end in wisdom, as Frost taught us great poems should. Gwendolyn Brooks, “We Real Cool” This blew my mind in high school, and I wasn’t the only one. Elizabeth Bishop, “One Art” Bishop’s much loved and much discussed ode to loss, which Claudia Roth Pierpont called “a triumph of control, understatement, wit. Even of self-mockery, in the poetically pushed rhyme word “vaster,” and the ladylike, pinkies-up “shan’t.” An exceedingly rare mention of her mother—as a woman who once owned a watch. A continent standing in for losses larger than itself.” Emily Dickinson, “Because I could not stop for Death –” The truth is, there are lots of equally iconic Dickinson poems, so consider this a stand-in for them all. Though, as Jay Parini has noted, this poem is perfect, “one of Dickinson’s most compressed and chilling attempts to come to terms with mortality.” Langston Hughes, “Harlem” One of the defining works of the Harlem Renaissance, by its greatest poet. It also, of course, gave inspiration and lent a title to another literary classic: Lorraine Hansberry’s A Raisin in the Sun. Sylvia Plath, “Daddy” To be quite honest, my favorite Plath poem is “The Applicant.” But “Daddy” is still the most iconic, especially if you’ve ever heard her read it aloud. Robert Hayden, “Middle Passage“ The most famous